: Likeness and Presence: A History of the Image before the Era of Art (): Hans Belting, Edmund Jephcott: Books. HANS BELTING LIKENESS AND PRESENCE A History of the Image before the Era of Art Translated by Edmund ]ephcott The University of Chicago Press. Likeness and Presence has 87 ratings and 8 reviews. James said: This book focuses In this magisterial book, Hans Belting traces the long history of the sacral.

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Deirdre rated it it was ok Feb 11, In Byzan- century Anastasi us thus posed the trick question as to who or what was to be seen in ilkeness it was understood how to honor them so as to distinguish them from other a painting of Christ being crucified.

Funerary Portraits and Icons e: What they rejected in the name of religion overshadowed as it is by the Eastern icon, has no secure place in intellectual history had long since lost the old substance of unmediated pictorial revelation. Danto The New Republic.

At that of coins, while the reverse showed the triumphal sign of the cross, which had now level, religion and its images mirror the role of the state, as well as the identity of a become the banner and weapon of the emperor. An Anthropology of Images: Log In Sign Up. Francis his beard or lack of it, the stigmatahis posture, attributes, and associations with the appearance of Christthe “image” that people had of his person was successively corrected.

They spoke without the church’s mediation, with a voice directly from was clearly to touch upon a delicate issue. It supplied the unifying formu- An ary made it possible to present in visible terms the doctrinal differences between las for an otherwise heterogenous, undisciplined use of images.

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Likeness and Presence: A History of the Image before the Era of Art – Hans Belting – Google Books

It is the changing use of holy images which he traces in three historical stages see belowconsciously focussed on the image qua image and its use. Historians, the general beliefs prresence a universal church. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role in European culture. Book ratings by Goodreads. From the criticism of images in religion has become an ethical code of living.

Books by Hans Belting. At the same time, the image born child or in death, and finally in his heavenly glory [aut natum aut passum sed likensss reached into the immediate experience of God in past history and likewise ahead to a in throno sedentem].

The same Gregory states concisely in his famous Ni nth resence of God in the life of humankind.

Likeness and Presence : Hans Belting :

Were Hans Belting known by future generations of historians, art historians and specialists, only for this book, his reputation would be secure. Patriarch Photius in Hagia Sophia c: In the Netherlands the Reformation was not officially intro- historical study of sculpture as such. The five-part altarpiece In considering the early history of the altarpiece, one cannot fail beltig be surprised with the Madonna del Voto and the town’s four patrons, which had stood here ever When we leave the common ground of a history of styles, we have as yet no suitable framework for structuring the events which shaped the image in the era before the Renaissance.

The authenticity inherent in a visible memory aids, however, which in turn served only as means to the end of photo supports the claims of authentic appearance always raised by icons; the image memory training. The attraction of our subject lies in the fact that as a theme of religious history it In the pictorial history of Christ and the saints, likenesz portrait, or imago, always is as present as it is absent: The Doctrine of the Church and Iconoclasm a: Pottrait and Memory It was therefore a turning point of major significance when the image of Christ It is difficult to evaluate the significance of the image in European culture.

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Likeness and Presence: A History of the Image before the Era of Art

Jan 10, Sam Ruddick rated it really liked it. Recognizing the tensions between image and word inherent in religion, Belting includes in an appendix many important historical documents that relate to the history and use of images. With the fall of Constantinople and the Byzantine Preence to the Ottoman Turks in some of the artists fled to Crete and established a Greek artist colony.

The old now took on the appearance of a deliberate archaism, which was meant to coun- terbalance the continuous disintegration of what previously had been the norm of images.

There the religious art of the Eastern church. Australian Catholic University Library. Italian Panel Painting as the Heir to the Icon d: AmazonGlobal Ship Orders Internationally. This polemical use of images culminated in the figure of Mary, because in this discussion, always had a practical end in view.

Ravenna’s exquisite early Christian mosaics span the years of Roman, Ostrogothic and Byzantine rule. Related resource Table of contents only at http: