Free Piano Scores. Bach, Johann Sebastian · Bartok, Bela · Beethoven Weber , Carl Maria von. Bach: Prelude and Fugue No.3 C# major, BWV JS Bach, The Well-tempered Clavier Book 1, detailed comments to P/F C# JS Bach’s Well Tempered Clavier Book I: Prelude and Fugue C# major, BWV Performed by Kimiko Ishizaka and accompanied by Stephen Malinowski’s Music Animation Machine score, enjoy the prelude in C-sharp major from the first.

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Analysis Style, tempo and articulation Fingering Notable performances Literature and online ressources A note on practicing. Bach-Gesellschaft AusgabeBand 14 pp. This file is part of the Sibley Mirroring Project. Answer in Treble [G major] Bars Unsourced material may be challenged and removed. We recommend that you assign name-surname. Haydn’s String Quartets Opus After a short development section D 2which bwg to further 2 subject entries, the fugue deviates from its so far quite strict form and leads into the 11 bar long Episode 5, which contains the above mentioned solo-style components.

Bach: Prelude and Fugue No.3 in C# major, BWV 848 Analysis

From bars the 1st Theme is used four times in different keys. The subject of the fugue is a lucid and bouncy line, moving from tonic to dominant and back.


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It is the third prelude and fugue in the first book of The Well-Tempered Claviera series of 48 preludes and fugues by the composer. The fugue is of course a fugue, with exposition, development, some episodes and a coda. B 7 and E min in bars 32 and 33, are of course equivalent to C7 and Fmin seen from a Db major perspectiveso the double sharps actually translate into notes without accidentals in simple major keys.

As we can see, the piece starts with 4×8 bars in a symmetric sequence of what can be called the thematic phrase of the prelude.

Compositions for organkeyboard and lute by Johann Sebastian Bach. The figure which appears in the Treble in Phrases 1 and 3 is assigned to the Bass in Phrases 2 and 4, and the figure which appears in the Bass bav Phrases 1 and 3 is assigned bwvv the Treble in Phrases 2 and 4. Barenboim plays it with beautiful tone – nice. About phrasing and articulation: Barsthe syncopated section, are quite active in terms of modulationwhich can be a little confusing in the first place, given the many accidentals.

One bar 21 Episodes: With this chart, things fall into place easily. The fugue has an extensive sequential episode which develops through related keys before the reappearance of the three voices.

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bwwv After Episode 5, starting in bar 41, the exposition section is repeated almost to the letter, of course with some counterpoint that accompanies the first subject entry, and the fugue ends with a coda with introducing subject entry in Soprano.

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Wikipedia article on Das wohltemperierte Klavier Bach Digital source list. Another aspect that is worth mentioning in this context: Performer Pages Kimiko Ishizaka piano.

WTC I Detailed comments to P/F C# major BWV – J.S. Bach’s Well-tempered Clavier

Share this page Free-scores. In order to achieve proper flow, one has 84 master the technical challenges entirely. Learn more and set cookies Close. Subject in Treble [C major] Bars Connect to add to a playlist. The Counter-subject 2 at its conclusion overlaps the commencement of this Episode.

Bach: Prelude and Fugue No.3 in C# major, BWV Analysis

Similar to the prelude, Schiff plays this one rather reluctantly and without proper groove. Pseudo This is your nickname on free-scores. Be the first to write down a comment. Stadtfeld plays the prelude almost like an etude, without inner energy – not so convincing. One of the countersubjects is constructed with running legato semiquavers, whilst the other consists of longer note values.

Note Gould versus Leonhard 65!